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To its credit, the film strives to encourage an entirely different set of values. The officially sanctioned myths in contemporary India revolve around selfishness and careerism under the guise of entrepreneurial initiative. As the country switched to an export-driven economy, one of its most regrettable imports has been the whole industry of American-style hucksterism and self-improvement. In many ways, it sets itself in direct opposition to the common sense of the current “India Shining” period. Determined to do something about it, the actors eventually take drastic measures that parallel Bhagat Singh’s story, leading to escalating violence and a tragic end.Īt a first glance, and leaving aside for a moment its artistic merits, the film appears to be the expression of some healthy social and political instincts. These lessons are brought home for good when a common friend dies as a result of governmental corruption. As they participate in the project, these friends begin to understand its significance, and to appreciate their own national history of struggle against injustice. In the story, the energetic and inspired British female director is faced first with the producers’ refusal to fund the project-“Gandhi sells, but these revolutionaries.” She is then discouraged by the absence of serious candidates for the various parts, and more importantly by the fact that the Indian youth appear to be utterly uninterested in the story.Įventually, she finds her actors in the college scene, in an unlikely group of young loafers and pranksters. The fact that the film calls attention to him is the first of many signs that at least in some ways it works against the current. This important episode has always been marginalized by Indian nationalist historiography because it grated against the prevailing political memory about the struggle for independence-part Gandhian non-violence, part Nehruvian political moderation and “realism.”įor a political class desperately trying to persuade itself and others that it has settled its accounts with imperialism and social conflict, Singh remains a very uncomfortable subject.
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This remarkable historical figure fought against British imperialism by violent means and was hanged for it in 1931.
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Rang de basanti director movie#
The story initially follows the efforts of a young British woman who goes to India to make a movie about Bhagat Singh. As a cultural phenomenon, as well as a cautionary tale, the film deserves some critical attention. Rang De Basanti, directed by Rakeysh Omprakash Mehraįew Indian films have sparked more controversy than the recent Rang De Basanti, directed by Rakeysh Omprakash Mehra.